WELCOME TO A COLLECTION of books I've written about angels, unicorns. goddesses, leprechauns and whatever else you see below. Click on the covers for more, or
HERE if you'd like to email any comments.
At the bottom of this page are samples of three picture books which never quite got published for one reason or another. Two were written and illustrated and ready to go before the axe came down, which was very frustrating. All that wasted effort and art.
There's another complete book I've been vaguely hawking around for a few years without any luck. Apart from one glossy publisher's letter saying they'd love to do it and enclosed a contract. Someone had obviously even read the whole thing because there were some perceptive editorial comments. Such as that I might consider disguising some names to head off libel suits. So I got excited . . . till I came to the contract at the end and learned that the privilege of being published by them would cost me five grand and there was no very solid offer of help with distribution.
Ah well. Still, it's not completely surprising. The book is quite different to my others and is about growing up in Africa in the 1950s and 60s, nothing to do with fantasy or folklore. Well, there is a bit as it happens but basically it's just a memoir of that time and place. Still, if you're interested anyway (especially if you're a publisher) just click on the picture above right.
PUBLISHED IN SEPTEMBER 2018 is It Must Be Art, a second revised and expanded edition of The Art of Big O from a few years before. It probably really belongs in the Fantasy Art section but for various reasons it feels more at home here.
Click on cover right for more
It tells the story of Big O Posters, the wonderfully creative London company whose posters documented and to some extent shaped the youthful creative explosion of the late 60s and 70s. Here we've collected much of that art and also traced the careers of many of the artists concerned after the company's demise in 1980, so it's not just a catalogue of published posters but an account of the kind of art they gave rise to. Much of the story is told in the artists' own words but I've filled in the gaps where needed.
The first edition is still available on Amazon and elsewhere, but the good news is that the second one has been expanded and much improved, courtesy of
Schiffer Publishing in the States. Go to my
INTRO page for more details.
for a review. Or to hear me talking about why it is such a great idea click
HERE. On the right is the Winter 2014/15 issue of Illustrators magazine which carried an article I wrote about Big O and the book. Click on it for the article.
FEBRUARY 2018 SAW THE LAUNCH of a third edition of The Dragon Tarot with the most wonderful illustrations by
Linda and Roger Garland showing dragons in all their splendour and variety. This pack was a real labour of love at the time, so it is a serious pleasure to see it back in action again. Click on the cover left for more about it.
Thanks to a fierce deadline it was also a labour of blood, sweat and tears, particularly for Roger who produced the bulk of the illustrations. Cruelly Roger died of motor neurone disease in October 2017. Click HERE for a well-deserved tribute to him on the Tolkien Society website.
THE FALLEN ANGEL ORACLE was first published in March 2011 and again in 2020. It happily gave a chance to pick up from a book on angels I had written about ten years before, along with other strands of interest. Many thanks to Cindy Richards of Cico Books in London who offered the chance to write it, and Sarah Perkins for the atmospheric illustrations.
It is a pack of beautifully illustrated oracle cards calling on fallen angels who are on the side of neither God nor the Devil in the current ideological wars. They are interested, disembodied and often demonized spirits who sympathise with all sides of the biblical religions and are shared by all their Books. The angels' co-operation in creating the cards was really quite extraordinary. Try them and see for yourself.
I WAITED ABOUT THIRTY YEARS for the chance to write Faeries of the Celtic Lands. It traces the origins of the Celtic beliefs about faeries back to the misty days of their first arrival in Ireland, apparently descending from the sky in flying ships and landing on the mountain tops amid a great cloud that shrouded the land for three days. According to legend they then ruled the country as gods for an age before being forced to retreat into a parallel world, or sail away westwards across the ocean like Tolkien's elves.
I did hope to have the John Duncan (1866-1945) tapestry at the top of this page for the cover, but getting permission proved too complicated. And as it happens the actual cover captures the feel of the book very well in a quite different way. I only came across Duncan's art while working on Faeries. He was one of the most influential Scottish painters of the late 19th century Celtic Revival movement.
The book was published in the autumn of 2007 and at 224 pages is a fair bit longer than most I've done, in proportion to my interest in the topic, though without anywhere near exhausting it. The aim of the book is to give a kind of overview of the subject for those who are curious and even quite well informed about Celtic mythology, but daunted by its abundance and seeming chaos. Also to examine how the basically pagan ideas in the faerie faith nevertheless managed to survive and prosper alongside Christianity right up to about a century ago when other forces undermined the solid belief in faeries in the Celtic countryside. Click on the cover for some sample pages.
For an interview about the book click HERE.
BY WAY OF CONTRAST, the follow-up for autumn 2008 was the book on vampires you see on the left. It wasn't quite as long in gestation as Faeries but I wrote it on and off for about a dozen years and it was wonderful to see it in print at last, with original black and white drawings by Bruce Pennington plus a pile of classic illustrations that I picked up along the way. In person Pennington is the most mild and optimistic person, but he just happens to have a wonderfully gothic imagination and is at his best when depicting demons and disasters. To see a selection of his work, including illustrations from this book, visit his website
HERE. To view some sample pages from the book, click on the cover.
For online reviews click
For an interview about the book click
HERE (scroll down the page).
The idea for doing this book first came from being asked to write an introduction for a reprint of Sabine Baring-Gould's classic 1865 Book of Werewolves. I was taken by his curiously healthy angle on a seriously morbid topic. There was something so refreshingly wholesome about it that I wondered if something similar could be done with vampires. So that is what I set about doing. Halfway through my original publishers went out of business so the project was shelved till another offer came along years later. Luckily all the text needed by then was a few finishing touches.
Curiously, many of the sources I delved into were the same as those I used elsewhere for a book about angels.
In 2012 the book was published in Polish by Bellona Books of Warsaw. It's also available in the UK through
Amazon. As with the original edition the main illustrations are by Bruce Pennington.
THEN BELOW WE HAVE A LITTLE HALLOWEEN TRILOGY that came out in 2006. Each book is 96 pages long and about the size of a standard paperback but beautifully presented with a hardback and dust cover. The idea of the format is to present the facts in juicy little bites, so to speak. The Vampires volume is a kind of taster for the much larger book above and there is inevitably some overlap, but I tried to avoid repetition so this should not spoil your appetite for the larger book and it contains many additional titbits. It was fun to have a look at werewolves and witches as well.
These three books (plus some others) are now available as Kindle eBooks fom Amazon. Click
HERE and scroll down the page.
As a bonus I got to do another book about unicorns, which links in a nice circular way with the first book in the next section below.